 Part
IV_Borrowed Images
Works in the Exhibition | Interview
Wade Guyton / Kelley Walker: Paint Cans (from Dear Ketel One Drinker Hello again.
The Failever of
Judgement Part IV.), 2005
Photo: courtesy Goetz Collection
Wilfried Petzi, Munich
Works in the Exhibition
Wade Guyton / Kelley Walker
Paint Cans (from Dear Ketel One Drinker Hello again.
The Failever of
Judgement Part IV.), 2005
100 paint cans with digital inkjet prints
Paint Cans (from the series: Guyton Walker: Empire Strikes
Back), 2006
100 paint cans with digital inkjet prints
Untitled (from the series: Dear Ketel One Drinker Hello again.
The Failever of Judgement Part IV.), 2005
silkscreen, digital inkjet print on canvas
Untitled (from the series: Dear Ketel One Drinker Hello again.
The Failever of Judgement Part IV.), 2005
silkscreen, digital inkjet print on canvas
Untitled (from the series: Dear Ketel One Drinker Hello again.
The Failever of Judgement Part IV.), 2005
silkscreen, digital inkjet print on canvas
Untitled (from the series: Dear Ketel One Drinker Hello again.
The Failever of Judgement Part IV.), 2005
silkscreen, digital inkjet print on canvas
Untitled (from the series: Guyton Walker: Empire Strikes Back), 2006
silkscreen, digital inkjet print on canvas
Untitled (from the series: Guyton Walker: Empire Strikes Back), 2006
silkscreen, digital inkjet print on canvas
Kelley Walker
Untitled, 2006, Digital print
Interview
Rainald Schumacher: Let us start with a simple question: Do either of you drink Ketel One?
Wade Guyton: Actually I do drink Ketel One, but only since we started using the advertisements in our work. I think it's important to be a good consumer. I like to give back.
Kelley Walker: I drink Bourbon.
Rainald Schumacher: Does the Ketel One company pay you? No, seriously, have you ever been approached by the company since you started using their typeface and parts of their advertising campaigns?
Kelley Walker: Not that I am aware of. Wade and I have discussed making a billboard using their advertisement. It would look identical to their existing billboards and magazine ads. The difference would be the static added through us ripping out the magazine advertisement, scanning it and blowing it up to billboard size. Richard Prince might have done something similar with his cowboy images.
Text excerpt »What’s inside a can?« - A Conversation via E-mail with Wade Guyton and Kelley Walker, April 2006 (Author: Rainald Schumacher), Exhibition Catalogue Imagination Becomes Reality Part IV_Borrowed Images
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