[ chapter 5 ]
B i b l i o g r a p h y
---------------
Olafur
Eliasson
2001
Olafur Eliasson:
Surroundings Surrounded. Essays on Space and Science,
edited by Peter Weibel,
Neue Galerie, Graz, Austria and ZKM_Karlsuhe, Germany.
my now is your surroundings process as object. Olafur Eliasson, Verlag
der Buchhandlung Walther König, Köln.
Miriam Bers, Berlin, from neo pop to cross culture, in: tema celeste,January|
February 2001, S 70-75.
Your only real thing is time, Institute of Contemporary Art, Boston,USA
[with texts by Jill Medvedow Plaut, Lars Lerup, Jessica Morgan].
2000
Barbara Hess,
Nase im Wind, in: Texte zur Kunst, 39, September 2000, S. 189-196.
Katrina Brown, If the eye were not sun-like, the sun’s light, it would not
see and Russell Ferguson, Freezing and Melting, in: Your position surrounded
and your surroundings positioned, Dundee Contemporary Art, Dundee, UK.
Ralf Christofori, The Vitality of Non-Orthogonal Abstraction, in: Raumkörper,
Kunsthalle Basel, Basel, Schweiz.
Andreas Spiegl, Olafur Eliasson, Non-Trueness as the Nature of Theatre, in:
Afterall, 2, 2000, S. 99-106.
Gertrud Sandquist, Olafur Eliasson, in: Afterall, 2, 2000, S. 107-110.
Maren Lübbke, Olafur Eliasson: Surroundings Surrounded, in: Camera Austria,
71, 2000, S. 61.
Markus Wailand, Olafur Eliasson, Neue Galerie Graz, in: Frieze, S.
127-128.
Rochelle Steiner, Wonderland, in: Wonderland, St. Louis Museum of Art,
St. Louis, USA.
James Rondeau, The Art Institute of Chicago, Chicago, USA.
Edward Leffingwel, Carnegie Ramble, in: Art in America, March 2000,
S. 86-93.
Joshua Decter, Panorama 2000, in: Flash Art, January-February 2000,
S. 43, 112.
1999
Carnegie International
1999| 2000, essay by Madeleine Grynsztejn, Curator, S. 32, 33, 70, 102.
Michael Brenson & Madeleine Grynsztejn, Fact and Fiction, in: Artforum,
September 1999, S. 67-70.
David Birnbaum & Peter Nilsson, Like Virginity, Once Lost: Five Views on
Nordic Art Now, 1999, S. 74.
Burkhard Riemschneider & Uta Grosenick, Art at theTurn of the Millenium,
Taschen, Cologne, 1999, S. 144-145.
Edward Leffingwell, Report From Sao Paulo: Cannibals All, in: Art in America,
May 1999, S. 48-55.
Photography from the Martin Z. Margulies Collection, The Art Museum at
Florida International University, Catalogue, S. 28.
1998
Jan Verwoert,
Berlin Biennale, in: Frieze, Issue 44, January-February 99, S. 91-92.
Márica Fortes, XXIV Sao Paul Biennal, in: Frieze, Issue 44, January-February
99 S. 87-88.
Francesco Bonami, Olafur Eliasson, in: Cream: Contemporary Art in Culture,
London, Phaidon, 1998, S. 104-107.
Simon Grant, Olafur Eliasson, in: Every Day, Catalogue for the 11th
Biennale of Sydney, S. 90-91.
Christian Haye, The Iceman Cometh, in: Frieze, May 1998, S. 62-65.
Sophie Berrebi, Nuit Blanche, Musee d’Art Moderne de la Ville de Paris, in:
Frieze, May 1998, S. 88-89.
Gregory Volk, On the Edge. Olafur Eliasson: Fire and Iceland, in: Artnews,
April 1998, S. 200.
Daniel Birnbaum, Openings: Olafur Eliasson, in: Artforum, April 1998,
S. 106-107.
Jan Winkelmann, Project: Olafur Eliasson, in: Art + Text, February|April
1998, S. 44-49.
Olafur Eliasson & Barbara Steiner, Gegen die Zeit gehen, in: Kunst Bulletin,
January| February 1998, S. 10-17.
1997
Jonathan Crary,
Visionary Events, in: the curious garden, Kunsthalle Basel, Basel,
Switzerland, S. 43-49.
Roxana Marcoci & Diana Murphy, Eve Sinaiko, eds., New Art, Harry N. Abrams,
New York, 1997, S. 51.
Charles Dee Mitchell, Reports From Santa Fe: New Narratives, in: Art in
America, November 1997, S. 43-47.
Hans Rudolf Reust, Reviews, in: Artforum, Summer 1997, S. 146.
1996
Christiane Schneider,
Olafur Eliasson, in: Frieze, January|February 1996, S. 77.
Francesco Bonami, Olafur Eliasson, in: Flash Art, May|June 1996, S.
105.
John Rapko, 'Glow' at New Langton Arts, in: Artweek, July 1996, S.
20.
P. C. Smith, Olafur Eliasson at Tanya Bonakdar, in: Art in America,
December 1996, S. 92-93.
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