[ kapitel 5 ]
B i b l i o g r a p h i e

Olafur Eliasson [Auswahl]


Olafur Eliasson: Surroundings Surrounded. Essays on Space and Science, edited by Peter Weibel, Neue Galerie, Graz, Austria and ZKM_Karlsuhe, Germany. my now is your surroundings ­ process as object. Olafur Eliasson, Verlag der Buchhandlung Walther König, Köln. Miriam Bers, Berlin, from neo pop to cross culture, in: tema celeste,January| February 2001, S 70-75. Your only real thing is time, Institute of Contemporary Art, Boston,USA [with texts by Jill Medvedow Plaut, Lars Lerup, Jessica Morgan].


Barbara Hess, Nase im Wind, in: Texte zur Kunst, 39, September 2000, S. 189-196. Katrina Brown, If the eye were not sun-like, the sunís light, it would not see and Russell Ferguson, Freezing and Melting, in: Your position surrounded and your surroundings positioned, Dundee Contemporary Art, Dundee, UK. Ralf Christofori, The Vitality of Non-Orthogonal Abstraction, in: Raumkörper, Kunsthalle Basel, Basel, Schweiz. Andreas Spiegl, Olafur Eliasson, Non-Trueness as the Nature of Theatre, in: Afterall, 2, 2000, S. 99-106. Gertrud Sandquist, Olafur Eliasson, in: Afterall, 2, 2000, S. 107-110. Maren Lübbke, Olafur Eliasson: Surroundings Surrounded, in: Camera Austria, 71, 2000, S. 61. Markus Wailand, Olafur Eliasson, Neue Galerie Graz, in: Frieze, S. 127-128. Rochelle Steiner, Wonderland, in: Wonderland, St. Louis Museum of Art, St. Louis, USA. James Rondeau, The Art Institute of Chicago, Chicago, USA. Edward Leffingwel, Carnegie Ramble, in: Art in America, March 2000, S. 86-93. Joshua Decter, Panorama 2000, in: Flash Art, January-February 2000, S. 43, 112.


Carnegie International 1999| 2000, essay by Madeleine Grynsztejn, Curator, S. 32, 33, 70, 102. Michael Brenson & Madeleine Grynsztejn, Fact and Fiction, in: Artforum, September 1999, S. 67-70. David Birnbaum & Peter Nilsson, Like Virginity, Once Lost: Five Views on Nordic Art Now, 1999, S. 74. Burkhard Riemschneider & Uta Grosenick, Art at theTurn of the Millenium, Taschen, Cologne, 1999, S. 144-145. Edward Leffingwell, Report From Sao Paulo: Cannibals All, in: Art in America, May 1999, S. 48-55. Photography from the Martin Z. Margulies Collection, The Art Museum at Florida International University, Catalogue, S. 28.


Jan Verwoert, Berlin Biennale, in: Frieze, Issue 44, January-February 99, S. 91-92. Márica Fortes, XXIV Sao Paul Biennal, in: Frieze, Issue 44, January-February 99 S. 87-88. Francesco Bonami, Olafur Eliasson, in: Cream: Contemporary Art in Culture, London, Phaidon, 1998, S. 104-107. Simon Grant, Olafur Eliasson, in: Every Day, Catalogue for the 11th Biennale of Sydney, S. 90-91. Christian Haye, The Iceman Cometh, in: Frieze, May 1998, S. 62-65. Sophie Berrebi, Nuit Blanche, Musee díArt Moderne de la Ville de Paris, in: Frieze, May 1998, S. 88-89. Gregory Volk, On the Edge. Olafur Eliasson: Fire and Iceland, in: Artnews, April 1998, S. 200. Daniel Birnbaum, Openings: Olafur Eliasson, in: Artforum, April 1998, S. 106-107. Jan Winkelmann, Project: Olafur Eliasson, in: Art + Text, February|April 1998, S. 44-49. Olafur Eliasson & Barbara Steiner, Gegen die Zeit gehen, in: Kunst Bulletin, January| February 1998, S. 10-17.


Jonathan Crary, Visionary Events, in: the curious garden, Kunsthalle Basel, Basel, Switzerland, S. 43-49. Roxana Marcoci & Diana Murphy, Eve Sinaiko, eds., New Art, Harry N. Abrams, New York, 1997, S. 51. Charles Dee Mitchell, Reports From Santa Fe: New Narratives, in: Art in America, November 1997, S. 43-47. Hans Rudolf Reust, Reviews, in: Artforum, Summer 1997, S. 146.


Christiane Schneider, Olafur Eliasson, in: Frieze, January|February 1996, S. 77. Francesco Bonami, Olafur Eliasson, in: Flash Art, May|June 1996, S. 105. John Rapko, 'Glow' at New Langton Arts, in: Artweek, July 1996, S. 20. P. C. Smith, Olafur Eliasson at Tanya Bonakdar, in: Art in America, December 1996, S. 92-93.

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