[bio] Jordan Crandall [e] ------- Jordan Crandall is an artist, media theorist and founding editor of Blast as well as director of the X Art Foundation, New York. He has written on technology and culture for a variety of media and lectures widely on the cultural and political dimensions of new technology. He holds a seat on the Advisory Board of Social Movement Studies, a journal of cultural, political, and social protest [Routledge]. He regularly serves as a visiting critic at such institutions as Columbia University and was recently Visiting Professor at the École Nationale Supérieure des Beaux-Arts, Paris. Solo Exhibitions | Group Exhibitions | Grants and Awards | Bibliography | Recommended Links Solo Exhibitions [selected] 2001 The Kitchen, New York; TENT Centrum Beeldende Kunst, Rotterdam [NL] 2000 Neue Galerie am Landesmuseum Joanneum, Graz [AT] ARTLAB-Spiral Gallery, Tokyo [J] Museo de Arte Carillo Gil, Mexico City [MX] Centre d'Art Contemporain de Basse-Normandie [F] Kunst-Werke Berlin, Berlin [D] 1998 Sandra Gering Gallery, New York [USA] ^ Group Exhibitions [selected] 2001 World Wide Video Festival, Amsterdam [NL] Digital Deviance, Le Magasin, Centre National d'Art Contemporain de Grenoble [F] European Media Art Festival, Osnabruck [D] BitStreams: Art in the Digital Age, Whitney Museum of American Art, New York [USA] 2000 InSITE, San Diego, Tijuana [MX] Greater New York, P.S.1 Contemporary Art Center, New York [USA] Particle Accelerators, Photographic Resource Center, Boston University [USA] 1999 Net_condition, ZKM Karlsruhe [D] Montreal International Festival of new Cinema and new Media, Ex-Centris, Montreal [CDN] Graz Biennial on Media and Architecture [AT] 1997 documenta X, Kassel [D] Revision II, Karl Ernst Osthaus Museum, Hagen [D] ^ Grants and Awards [selected] 2000 The 50 best, \internationalermedienkunstpreis [D] 1998 Design Ecxellence Award, the 44th Annual Type Directors Club Exhibition 1994 Wittenborn Award, Art Libraries Society of North America [USA] ^ Bibliography [selected] Interaction: Artistic Practice in the Network, Jordan Crandall (co-ed.), New York 2001; Jordan Crandall, Drive, track 3, in Net_condition: Art and Global Media, Peter Weibel and Timothy Druckrey (eds.), MIT Press, Cambridge, Massachussetts 2000, pp. 274/275; Jordan Crandall, Ezra Pound Cantos, Paris 1997; Jordan Crandall, suspension figures, Cologne 1997; Jordan Crandall, suspension vehicle RF-6000, Munich and New York 1997; Jordan Crandall, On NetArt, in ZKP4, Schulz, McCarthy, Lovink, Cosic (eds.), Ljubljana Digital Media Lab, Ljubljana 1997; Robert Atkins, Surface Pleasures: BitStreams at the Whitney, review, in Artbyte, June 2001, p. 8; Michael Kimmelmann, Creativity, Digitally Remastered, in The New York Times, March 23, 2001, pp. E31, 36; Brian Holmes, Fitting Into Computer Technology: Interview with Jordan Crandall, in Omnibus, October 1997, pp. 39/40; Blast Off, in New Scientist, October 14, 1995, p.44; Marlena Corcoran, Male and F:Email: Report from Cyberspace, in Soundings, 78.2, Summer 1995, pp. 339-353. ^ Recommended Links - > Homepage ° Projects :: - > »Heatseeking« - > »Drive [Track 6]«, 1998-2000 ° Writings :: - > Jordan Crandall, »Anything That Moves: Armed Vision«, in CTHEORY, 22, 1-2, June 1999, - > Jordan Crandall, »On the Postmedia Era«, in Aleph arts, February 1999 ^

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