Gruppenausstellungen
[Auswahl]
2000
»BitStreams: Art in the Digital Age«, Whitney Museum of American Art, New York [USA]
2000
»Whitney Biennial«, Whitney Museum of American Art, New York [USA]
»Agitated History: Video Art and the Documentary«, Cranbrook Art Museum, Bloomfield Hills, MI [USA]
1999
»Searchlight«, CCAC Institute, San Francisco [USA]
1998
»100 Years of Sculpture: From Pedestal to Pixel«, Walker Art Center, Minneapolis [USA]
»DIANA98«, Museum of Contemporary Art, Zurich [CH]
1995
»In a Different Light«, Berkeley Art Museum, Berkeley [USA]
1994
»Ciphers of Identity«, Ronald Feldman Gallery, New York [USA]
1993
»Privacy«, Forum, Mailand [I]
1992
»Dissent, Difference, and the Body Politic«, Portland Art Museum, Portlan [USA]
Otis/Parsons Gallery, Los Angeles [USA]
1991
»AIDS Timeline/Group Material. Whitney Biennial«, Whitney Museum of American Art, New York [USA]
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Bibliographie
[Auswahl]
Holland Cotter: »Retrieving Magic from the Vault«, in: The New York Times, 05. Januar 2001; Agitated Histories, Ausst. Kat., Cranbrook Art Museum, Bloomfield Hills, MI 2000; In a Different Light, Ausst. Kat., City Lights, San Franciso 1995; Michael Kimmelmann: »Lutz Bacher: Playboys«, in: The New York Times, 24. September 1993; Kathy O'Dell: »Lutz Bacher's "Playboys": the Morphology of Jokes and Other Questions/ Les «Playboys» de Lutz Bacher: la morphologie des blagues et autres questions«, in: Vulvamophia, New York, Lusitania Press; Dissent, Difference, and the Body of Politic, Ausst. Kat., Portland Art Museum, Portland 1992; Christopher Knight: »Disputable Assertions in Body Politic«, in: The Los Angeles Times, 26. Februar 1993; Robert Mahoney: »Lutz Bacher, White Columns«, in; Arts, Januar 1992; Maria Porges: »Lutz Bacher«, in: Artforum, März 1991.
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